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LARGE SCULPTURE
“Ye Olde iPhone” (Full View) 30″ x 12.5″ x 13″ – the glass vitrine with vintage typing stand 39” x 34” x 15” Everything your phone has replaced.
“Ye Olde iPhone” (back view) Everything your phone has replaced.
“Ye Olde iPhone” (front view) Everything your phone has replaced.
“Inside Then Out (Lorton Sequence)” Various found objects, including ladder, windows, screening, 106” x 72” x 4”
“Inside then Out” (Detail)
“Time Running is Out” 20 x 72 x 10
“Time Running is Out” (Detail)
“The Curiosity of Cabinets”
“Morse,” Wood, paper, morse code device, shuttlecock, darts, gold leaf, sealing wax, 35” x 23” x 62″
“Morse” (Detail)
“Loves Labors Lost,” Various found objects
“Loves Labors Lost”(Detail)
“Nineteen Fifty-Four,” School chair, children’s blocks, shoes and truck, 11” x 24’ x 14”
“Unarmed Truth: A Memorial, ” Wood, resin, metal, 20” x 90” x 8”
“Unarmed Truth: A Memorial,” Wood, resin, metal (Detail 2)
“The Survivors,” Wood chairs, stool, screwdriver, pain, 20″ x 40″ x 32″
“The Survivors,” Wood chairs, stool, screwdriver, pain, (Detail)
“The Odd Courtship,” Wood, 26” x 44” x 22”
“Baltimore Self-Portrait” Wood, resin, tintypes, clock, various found objects, 30’ x 29’ x 6”
“Aftermath,” wood, 26” x 26” x 53”
“Aftermath,” Wood, detail
“Night House Out of Our Depth,” Wood, glass, 24″ x 61″ x 18″
“The Little Bang Theory,” Wood, found baby pram, 61” x 18” 24”
“Nana’s Survival,” Mixed media, 18” x 54” x 20″
“Nana’s Survival,” Mixed media, (Detail)
“You begin with the possibilities of the material.”
—Robert Rauschenberg
I follow a rather serendipitous process for my work. Always on the hunt for beautiful and interesting objects and ephemera in estate sales and thrift shops, I fill my studio with all kinds of potential assemblage pieces. I can then construct complex concepts, narratives, relationships and personalities. In these larger sculptures, I am responding to both world events and personal memories through the lens of visual metaphor.