LARGE SCULPTURE

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“You begin with the possibilities of the material.”

—Robert Rauschenberg

"Marcel Duchamp’s Black Hole," Wooden gears and stool, metal caliper, 23" x 52" x 23"
Sculpture entitled "Curiosity of Cabinets," Wood, 27" x 33" x 13"
"Loves Labors Lost," Various found objects
"Inside Then Out (Lorton Sequence)," Various found objects, including ladder, windows, screening, 106” x 72” x 4”
"Nana's Survival," Mixed media, 18” x 54” x 20"
"Nana's Survival," Mixed media, (Detail)
"The Little Bang Theory," Wood,  found baby pram, 61” x 18” 24”
"Night House Out of Our Depth," Wood, glass, 24" x 61" x 18"
"Nineteen Fifty-Four," School chair, children’s blocks, shoes and truck, 11” x 24’ x 14”
"Baltimore Self-Portrait" Wood, resin, tintypes, clock, various found objects, 30’ x 29’ x 6”
"Morse," Wood, paper, morse code device, shuttlecock, darts, gold leaf, sealing wax, 35” x 23” x 62"
"The Odd Courtship," Wood, 26” x 44” x 22”
"The Survivors," Wood chairs, stool, screwdriver, pain, 20" x 40" x 32"
"The Survivors," Wood chairs, stool, screwdriver, pain, (Detail)
"Aftermath," wood, 26” x 26” x 53”
"Aftermath," Wood, detail
"Unarmed Truth: A Memorial, " Wood, resin, metal, 20” x 90” x 8”
"Unarmed Truth: A Memorial," Wood, resin, metal (Detail 2)
I follow a rather serendipitous process for my work. Always on the hunt for beautiful 
and interesting objects and ephemera in estate sales and thrift shops, I fill my studio with 
all kinds of potential assemblage pieces. I can then construct complex concepts, narratives, relationships and personalities. In these larger sculptures, I am responding to both world 
events and personal memories through the lens of visual metaphor.

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